Today I had the privilege of going to Tacoma to meet with Urban Sketchers from several communities in our region! There's a building there that has intrigued me for quite a while and begs to be immortalized, so I took the opportunity to sketch it for the first time.
At the same time I had the pleasure of trying out a new fountain pen! I have been timid of fountain pens so this was a new experience and I really enjoyed it. It is the Platinum Carbon Desk Fountain
Pen, a Japanese pen available only at JetPens. When it arrived, I couldn't read the instructions due to my language deficit, but took heart from the illustration showing me how to thrust the included ink cartridge into the forward section of the pen and get the ink flowing using a tissue. It flows beautifully and I looked forward to trying it out today at the sketchcrawl.
The ink is pigment-based and permanent, a must when adding watercolor over drawn line work!
So I was delighted to learn today that not only did this pen continue to release the ink in a reliable flow, but that a variety of line strengths/widths is available with different angles and pressure. Once dry -- the sun was hot today so that made this quick! -- the ink stayed put when watercolor was overlaid.
Best of all, the pen was still willing to draw on top of the watercolor layers -- something I have found lacking in the disposable "artist pens" I've always used from another manufacturer. This has made this pen my new best friend, and I have already ordered a couple more like it to keep in different places, and more of this marvellous ink.
Here is my Moleskine sketch of the day, of the Albers Bros. Milling Co. building, now apparently repurposed as lofts:
Very sketchy indeed, but I had a lot of fun, and note the ink-over-color potential here! I look forward to doing some serious experimenting with this pen.
Here is the link to learn about/order one from JetPens:
JetPens Platinum Carbon Desk Fountain Pen
Congratulations to JetPens for offering this marvellous product. I am really grateful to have learned about it!
Saturday, July 21, 2012
old town, new discovery
Labels:
fountain pen review,
ink and watercolor,
JetPens,
moleskine,
original art,
Tacoma,
Urban Sketchers
Posted by
Betker
at
8:06 PM
Monday, June 11, 2012
secret gardens
This Saturday we celebrate the Secret Gardens of Lake Forest Park! I will be privileged to paint in the garden of Betsy and George Piano.
Meanwhile, throughout June please visit the Sunlight Cafe and consider giving a home to one of my primitavist knifepaintings of Northwest human habitat -- pruning helps us thrive, in art as in gardening!
view my website
Meanwhile, throughout June please visit the Sunlight Cafe and consider giving a home to one of my primitavist knifepaintings of Northwest human habitat -- pruning helps us thrive, in art as in gardening!
view my website
Labels:
2012,
art,
art events,
garden,
industry,
oil on canvas,
oil painting,
original art,
Pacific Northwest,
paint,
painting,
palette knife,
railroad yard,
seattle,
Sunlight Cafe
Posted by
Betker
at
7:31 PM
Wednesday, May 30, 2012
sharing the wealth
Swinomish, ©2012 BVF Betker, oil on canvas, 24 x 36 inches
Hope all local friends will come down to take a look at my June show, Stolen Beauty, at the Sunlight Cafe, 6403 Roosevelt N.E. in Seattle! My friend Brian Forrest's gorgeous paintings are up until then. If you have missed them he and I will present a duo show there in September!
Please join me for happy hour Thursday, June 14, 4 - 6 pm and enjoy some of the Sunlight's scrumptious treats!
Explore three floors of studios including my new space in the underground's east end!
website: www.betkerart.com
email: halfsweet@comcast.net
Labels:
2012,
art events,
oil on canvas,
oil painting,
Pacific Northwest,
palette knife,
Sunlight Cafe
Posted by
Betker
at
12:44 PM
Friday, February 3, 2012
splash in the pan
It has been pointed out to me I haven't posted in awhile. That's because I've been putting everything new on the website instead of writing about it. I need a staff!
Last November the sun came from behind the clouds and I started painting in earnest and building what might actually be considered a body of work -- rather than the Frankenstein's monster I'd been gathering all these years. Its focus is human territory: the occupied landscape.
Rather than begin at the beginning, here is one of the latest pieces. I paint with a knife, thus avoiding the need for solvents, and adding that element of sculpture with impasto that I love so much!
Labels:
2012,
abstract,
alley,
ballard,
knifepainting,
landscape,
oil on canvas,
palette knife,
seattle,
townscape
Posted by
Betker
at
9:17 AM
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