rail yard

A few weeks ago I sketched this scene in ink on canvas at Fishermen's terminal. It was freezing but bright! Later painted it in the studio. 4.5" x 4.5"

teresa painting, christmas 2009

This has been a season of peaceful holidays, spent painting! It's been years since I had this freedom.

On Christmas Day my friend of many decades gifted me with her presence and suggested a portrait party. We set a limit of 20 minutes but failed to set a timer, I think it was 30! This sketch is in acrylic on canvas, 8 x 8 inches.

bridge to somewhere

Here are my two newest tiny (4 inches square) paintings. I am tempted to just do these tiny little paintings forever, this is really satisfying! They begin as pen/brush drawings on gessoed canvas in airbrush-consistency acrylic (I call it ink); when that is dry, I add tiny bits of color, transparent and opaque, until they are suddenly done!

These are views of the Aurora bridge west of Gas Works Park here in Seattle.

This one, West From Gas Works II, was originally drawn in white acrylic on black gesso:

West From Gas Works III was sketched in anthraquinone blue acrylic "ink" on white gesso:

farewell

Farewell, acrylic on canvas, 30" x 40", copyright 2009 (title sort of explained below)
Well, it has been a while since I've posted all right. Have been getting outside to paint maybe once a week, working a lot in the studio. Would like to find homes for the accumulation. Fantasy is to find a corporate wormhole that will just vacuum up all my production straight into a venue where it will be loved -- no muss, no fuss, no gallery openings, no schmoozing; no hyperventilating, no angst -- no talk, basically. Aren't I terrible? It is exhausting thinking of all the things that must be done to create a dynamic opportunity for my work to go belong to someone else. I don't like talking people into buying work. Hate it, in fact. Never have done it. Yet there used to be clients in my life, back when I was a "real" painter! Some of them I knew, some of them I was never told their names by the gallerists or reps.
I have heard writer Kazuo Ishiguro quoted as saying people who choose solitary professions do so because they have something from which to heal. Whether the quote is accurate, this certainly applies to a lot of artists I know. We would rather work with our physical media than struggle with the vagaries and potential betrayals of human interaction -- at least a lot of the time! Objects can be our friends -- at least for a while.
Is there any reliable way for someone who hates to socialize to sell their art? If anyone has advice beyond "work your tail off" please share!
***
Recently learned that an iconic piece I thought I had in storage was sold at auction a year ago by a place here in Seattle called Pacific Galleries. They won't tell me who consigned it to them or anything else. Very odd. Back when it was new -- one of the times I had to drop the career and care for family, in 1998 -- I could very well have lost track of this piece. For a while it was on loan to Summit Travel and Cruises. Did someone there hang onto it and finally turn it over to the auction house, or did something else happen? I don't know. I have spent the last terrible decade not painting and believing I never would again, but have never heard from anyone regarding this piece; found this sale by accident on the internet.

Ton Plaisir II (Yellow Trees), pastel on paper, 29.75'' x 43.5'', copyright 1998

Ironically, this piece is one I reproduced for business cards I still carry.

avenging the leopard

Here is a piece that began as an experiment in layers of acrylic paint and mediums, collaging in separately created acrylic skins and painted paper. It developed organically -- a means I enjoy and will have to keep learning from; right now I think it worked well! 36" x 36" acrylic/collage on canvas.
(The leopard in question was my painted silk kimono-style fiber sculpture, stolen from Seattle Center in the early nineties. It walked off its display as I sat 20 feet away, attending to something I guess... I have mourned long enough.)

life en plein air

It has been one rousing week! I have painted happily with several terrific people, half of whom were previously strangers, out of doors this week; can't quite believe my good luck. Everyone I met was delightful, good painting in good company!
First, on Monday a few of us met at Log Boom Park on a brilliant sunny day. We snuck past the "caution" tape and worked out on the washed-out path and bridge, and met several nice folks strolling by on the safe side of the tape. 24" x 36" oil on canvas.

Then on Thursday a few others and I met at Shilshole Marina, overlooking the boats and breakwater -- another bright sunshiny day. This was knifepainted held in my arms -- without an easel! We met a lot of friendly humans and dogs! 12 x 16 oil on canvas.

Today, I met two more folks for the first time and we painted at a private pond in Juanita! It was perfect weather, just cool and grey and maybe one drop of rain.... we met some neighbors who may choose to join us next time! another 12 x 16 oil on canvas.

across green lake

This is one of my latest favorites. Having finally acquired a small studio space, one goal is to create some large works based on my tiny plein air oil sketches. Here is my first such effort, a 24 x 36 acrylic based on a little oil sketch I did last spring at Green Lake. The challenge is to retain the freshness of the original. Layering paint into wet mediums seems to give me the feeling I'm after!

Here is the original sketch: